Part One: History and Show Priorities
On the back of 'The Importance of Training' interview that I conducted with three respected British wrestlers (Iestyn Rees, Gilligan Gordon and UK Dominator) last month, I wanted to tackle another aspect of British wrestling that deserves attention - Promoting. Similarly to the training that one should undertake to become a wrestler, the same dedication and know-how should be applied if someone wants to attempt to run a successful, profitable wrestling promotion.
I'm going to more and more shows and as time has gone on I'm finding that, as with the training aspect of wrestling being important, so too is making sure that a wrestling show is put on in the correct manner.
Something I've always hated about the big leagues in America (WWE) is that all decisions are made with the interest of making the most money. As much as I hate this fact (because at times it gets in the way of sense and logic), it makes complete sense to do... as much as you want to put on a great show for the fans, paying the bills and covering the costs that add up along the way are more important when planning a wrestling event.
To get an idea of a Promoter's mindset, and what is important to them from show to show, I was fortunate to get feedback from three experienced promoters on the UK scene: Ben Auld (Southside), Dave Sharp (4FW) and Stuart Natt (CSF). These gentlemen took time out of their busy schedules to give me an idea of their priorites.
Part one (of two) will focus on each man's history in wrestling as well as their priorities with regards to preparing for an upcoming show:
Jimmo's Angle: What is your
wrestling background? What
is your connection to your current promotion?
Ben:
As a fan, the first event I ever watched was Wrestlemania 7; loved
the Ted Dibiase/Virgil match for the amazing storyline; Boss Man vs.
Perfect, and of course Warrior vs. Savage... I was hooked straight
away.
The transition
from fan to promoter started when I went to a TNA show in Coventry
where I met a guy who told me all about 1PW, so in April 2009 I
travelled to Doncaster to try it out. Again, I was hooked straight
away. Funnily enough I was amazed at Project Ego and El Ligero who
have all become good friends of mine. I started to go to more and
more British shows and eighteen months after my first Britwres show I
ran my very first show.
I have now been
running for over three years, have run thirty-five shows in St Neots,
Over, Huntingdon, Stevenage, Letchworth, Preston and Nottingham. We
have used talent from America, Canada, Mexico, Europe and Japan.
Dave: I
have been a fan of professional wrestling since the age of six, so
for twenty-six years wrestling has been in my life. I’ve never
stopped watching or wanting to be involved in some capacity since
the day I saw my first match.
I started
training to be a wrestler in 2001, where I attended several of the
UK Hammerlock sessions and a few of the weekend camps. A local
promotion opened the doors nearby and I started attending the
sessions on a weekly basis. I haven’t wrestled for around three
years now due to injuries and becoming a father and priorities
changing.
4FW came about
because of several reasons which I don’t really feel the need to
get into as everyone has moved on from the things that have happened
from ten years ago and I would hate to bring anything up that might
rub someone up the wrong way. For the first year I wasn’t the
promoter of 4FW but in year two myself and James Dunn took the
promotion over and ran it together until October 2012, when James
decided to step away from promoting and I now run 4FW on my own.
Stuart: I always
attended every wrestling event in the area, from the age of about
seven. I'd make my dad take me to all the events from my home town
and up to seventy-odd miles away. I used to attend events on a
regular basis in Bath, Bristol, Wiltshire, Somerset and Weymouth (as
the family have a house on the harbour next to the Pavilion, so I
could go watch the show, sleep and travel back seventy miles to
school the next morning).
I didn't miss an episode of World of
Sport / ITV Wrestling, either; started watching when I was five or
six and still have dozens of Betamax tapes as I recorded it every
week. When we upgraded to VHS I happily spent my youth filling
hundreds of tapes with WOS and the NWA Worldwide shows that used to
air in the early hours.
Over
the years I went to hundreds of shows and after a while got invited
along to training, I was 16 I think. Not going to mention any names
as I don't want to give them any publicity, but looking back it was
the sh*ts! After a short while I got put on shows - some good, some
bad. I was lucky enough to meet the Noble brothers, Andy and Steve.
They ran decent shows and held weekly training sessions; this is
where I realised how shit it was where I was and how good things
should be. It just made me more passionate. A couple years passed
and I just pulled out and opened up CSF in my home town. I did it
because I care about the state of wrestling and wanted something
better in the area. What was here was a joke so I started out on my
own to run those who were already here out.
JA: What are
your main priorities (business-wise) when organising a show?
Ben:
My main priority is to deliver to the fans and make money. But I
will never put money before quality, if I ever have to do that I
will quit. I have worked my b*llocks off to garner the rep we have.
Luckily, we have built a really good fan base who trust us to always
deliver. What a lot of fans don't understand is there are many ways
to make money from wrestling so we work hard on DVD sales and
merchandise. If our shows are great and only break-even on the door,
then we still have other avenues to profit from.
Dave:
Book dates with venues with plenty of notice. Promote, present my
business well, promote some more and make money. Come show day I
know I have put everything into it promoting-wise, so my priorities
then turn to ensuring that what I have advertised is what I present
in the most professional way possible.
Stuart: CSF is
fifteen years old. At first, my priority was to drive the sh*te out
of the area. Within my first year I had held three events in my
home town and branched out to another venue an hour away. Within a
couple of years I had five or so regular venues, all doing well and
attracting big crowds. The events were big; I used a cage gimmick
and had big production. I had Jake ['The Snake'] Roberts with us
for a year; he behaved quite well! Plus Honky Tonk Man, so I guess
it was more about the 'wow!' factor back then, bringing these huge
events in each venue three times a year and going all out.
My priority now, as it was when I
started, is to put on the very best all-round show - 'something for
everyone' - it's fine jumping off cages and having the Americano
glamour, but you will always need some good ol' rasslin on the
card.
As
time passed, I became more aware of my budget in each venue and had
to cater for very different audiences. I have two children now so I
can no longer p*ss the money away, I have to set a budget, work
with it and generate a profit, something which can be very
difficult in some towns.
JA: What tools
and ways do you use to promote your shows?
Ben: I use
Facebook, Twitter, fan forums, posters, leaflets, newspapers; it's
always hard to judge what is most effective but if I had to choose
one thing it would probably be Facebook.
Dave:
Presentable and professional looking posters is priority number one.
Along with banners and sometimes newspaper adverts, anywhere and
everywhere I can advertise my product for free, social media, forums,
websites, etc. Flyers are not high on the list as it is very
hit-and-miss on whether you actually hit the market you are aiming
for.
Stuart: I've
always felt the best way to promote the next show is during the
[current] show. Nice gee-up for the next event's feature attraction,
tease a few of the other up-coming bouts and rotate the stars.
In lots of venues we use a video wall
so during the interval we can show videos of future events and plug
the dates. I am also a big user of local media; local websites,
newspapers and radio. After that, obvious things like posters and
door-to-doors. Obviously the
last couple of years has seen a huge increase with the use of social
media as an advertising tool. This is growing and becoming very
important; an
easy and affordable way of staying visible.
Jimmo's Angle: I would like to thank all three gentlemen for their time and responses to my questions. in the next part of this interview, Ben, Dave and Stuart will discuss what is important to them with regards to booking talent and their ambitions in wrestling.
In the meantime, please check out the Facebook pages and Twitter accounts of all three promotions and get along to a show...
Support British Wrestling
@jimmosangle
Jimmo's Angle: I would like to thank all three gentlemen for their time and responses to my questions. in the next part of this interview, Ben, Dave and Stuart will discuss what is important to them with regards to booking talent and their ambitions in wrestling.
In the meantime, please check out the Facebook pages and Twitter accounts of all three promotions and get along to a show...
Support British Wrestling
@jimmosangle
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